Web19 dic 2024 · In the 1940s, Dafora worked under the auspices of the African Academy of Arts and Research (AAAR), a pan-Africanist and anti-colonialist organization founded in 1943 by Nigerian nationals Kingsley Ozuomba Mbadiwe, Mbonu Ojiki, and A. A. Nwafor Orizu, all of whom were students in New York City (Diamond 2001, 3; Lynch 2002, 188). … Austin Dafora Horton (4 August 1890 – 4 March 1965) also known as Asadata Dafora was a Sierra Leonean multidisciplinary musician. He was one of the first Africans to introduce African drumming music to the United States, beginning in the early 1930s. His artistic endeavours spanned multiple … Visualizza altro Austin Dafora Horton was born into the Creole ethnic group on 4 August 1890 in Freetown, British Sierra Leone. The son of John 'Johnnie' William Horton, the Freetown city treasurer, and his wife, a concert … Visualizza altro In 1929 Asadata Dafora journeyed to New York City to try to pursue his career as a musician. He was then 39 years old. Despite his … Visualizza altro In 1939, Dafora appeared at the Ridgeway Theatre in White Plains, New York, as "Congo Witch Doctor" in Eugene O’Neill's play, The Emperor Jones. The production starred Paul Robeson and cast some members of his African dance troupe, including … Visualizza altro Dafora died in hospital at Harlem, New York, on 4 March 1965. Visualizza altro Kykunkor, or The Witch Woman, was produced at the Little Theater on West 44th Street, New York City. In 1934, a studio on East 23rd Street named the Unity Theatre allowed for the new opera to premier in early May. Dafora's musical/drama … Visualizza altro In 1960, Asadata Dafora returned to Sierra Leone where he became the cultural director of the newly independent nation. His contributions to the dance world influenced many future artists, especially African American artists such as Pearl Primus Visualizza altro • Asadata Dafora biography • 1934 Review of Kykunkor • Archive footage of Asadata Dafora dancing in Shagola Dances of West Africa in 1942 at Jacob's Pillow Visualizza altro

Dafora, Asadata, 1890-1965 - LC Linked Data Service: Authorities …

WebBibliografia. Marcia Ethel Heard, Asadata Dafora: African Concert Dance Traditions in American Concert Dance, New York University, School of Education., 1999, Ph.D.. URL consultato il 9 ottobre 2024.; Peggy and Murray Schwartz, The Dance Claimed Me: A Biography of Pearl Primus, New Haven, CT, Yale University Press, 2011. Black … WebThe Asadata Dafora Photograph Collection depicts some aspects of his personal life and his professional career as dancer/choreographer, from the 1910s to the early 1960s.The collection consists of individual and group portraits and candid shots of Dafora, family, friends, and professional colleagues; individual and group portraits of Dafora and his … holli mostella

Clarice McLean - Wikipedia

WebA dancer, choreographer, and proselytizer for African dance, Pearl Primus (1919-1994) trained at the New Dance Group and worked with Asadata Dafora. By John Perpener Explore by Chapter The Early StagesDiscovering Cultural OriginsExcerpts From An African JourneyTouring InternationallyThe Later Years The Early Stages WebThe Charles Moore Dance Theatreat the Brooklyn Academy of Music Web28 ago 2015 · He is credited with being the first to successfully stage African ritual in a Western-style stage production. 9 In 1938, Asadata Dafora and his New York dance group Shogola Oloba performed an African dance-drama called Zunguru that featured a dance of welcome called fanga. 10 Dafora sometimes called this same dance “fugule” or “the … holli mostella tutorial